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Firmware Update

Nikon added Shutter angle and Waveform Monitor in Nikon Z6 III and Nikon Z8

Due to the growing pressure of Panasonic’s recent camera announcement, models like  S5, S5IIX, and S1R II intensifying the market competition with built-in professional video graphics features like an anamorphic de-squeeze setter, angle waveform, and a lot of features that professionals in videography would love to have in their cameras. But again, they also have some limitations, like the first generation of hybrid autofocus system, which is not as good as the other brands.  But, the recent set of feature upgrades announced by Nikon for the Nikon Z6 III and Z8, give us a clear hint that Nikon is consdering Lumix  as their main competitor, and upscaling their camera features o match or surpass Panasonic’s advanced videography capabilities, catering to both professional filmmakers and hybrid shooters.

Nikon’s Interest in Cinematography

We all know that Nikon is now more interested in cinematography since it acquired the RED camera division. It is a bit more serious about filmmaking and enhancing videography for cinematographic features in its consumer professional mirrorless cameras.

Nikon’s Recent Firmware Update

In addition to that, in a recent firmware update, Nikon has updated the N-Log of the Z6III, reducing noise in the dark areas of N-Log videos. They have mentioned this in the recent update, so it’s a kind of major update that UPSCALES the N-Log video recording of the Z6III camera.

Shutter Angle and New Features in Nikon Z6III & Z8

Apart from this major update, 15 steps of shutter angle from 5.6 degrees to 360 degrees have been added in the Z6III and Nikon Z8 cameras.

Apart from these two major updates, a lot of various custom control settings have been added, like selecting the color of the zebra pattern that includes black, grey, red, green, blue, etc. A waveform monitor—which was not available in the previous generation of their cameras—has also been added.

At the same time, high-resolution lossless zoom has also been added. If you are creating your videos and experimenting with your FX camera, then the digital high-resolution lossless zoom feature is available to you.

Download the latest Nikon Z6 III firmware update

Download the latest Nikon Z8 Firmware update

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Panasonic S1R II vs Nikon Z8

Panasonic S1R Mark II – Best for Landscape & Fine Art Photography

Let’s directly jump to the recommendations. Panasonic S1R Mark II camera is recommended for landscape and fine art shooters, and its specifications in indoor architecture suit well. The big reason is the higher resolution sensor and the ability to record higher resolution handheld modes, allowing you to generate 150+ megapixel images in a single handheld shot.

Buy and help us to visit the barista again Nikon Z8 B&H Store

Professional Cinematography & Open-Gate Recording

Now, the big thing is that if you are a professional cinematographer or videographer, then the Panasonic S1R Mark II camera may fit your needs more perfectly since, for professionals, we do have an option to record videos in open-gate format. Right now, with the basic settings, you are getting open-gate at 5.8K, but soon after a series of firmware updates, open-gate recording will become available up to 8K 30fps.

Why Panasonic S1R Mark II for Professional Cinematographers?

So why are we recommending the Panasonic S1R Mark II camera for professional cinematographers? Since we are getting wavefront functionality, we are also getting anamorphic lens recording support, so you can de-squeeze your footages in-camera, as well as options like false color, which helps you judge the level of accuracy in color tones while shooting.

Another important feature is the shutter angle, and the list doesn’t end here. You also get an option to directly record your videos on an SSD drive, so there’s no big issue regarding memory cards—you can simply replace your SSD when it’s full.

Panasonic S1R Mark II – Autofocus System & Its Limitations

The hybrid autofocus system is still in its development stage. The autofocus is reliable but requires expertise to handle the Panasonic AF system correctly. Otherwise, even people operating cameras for more than three years may struggle with it. The reason is very simple: it’s not a turn-and-go AF system.

So, when we talk about the best hybrid autofocus system between these two cameras, without a doubt, the Nikon Z8 is the best. We are not saying that the S1R Mark II is not usable—it is usable—but the precision, fastness, and readout speed due to the presence of stacked sensors, refresh rate, and subject detection, most of which are directly inherited from the Nikon Z9, make the Nikon Z8 a perfect camera for sports and wildlife photography.

Also, keep in mind that the autofocus tracking of the Panasonic S1R Mark II camera remains limited to 10 frames per second. So that’s the limit you get with the S1R Mark II, whereas there is no such limit in the Nikon Z8. The eye-tracking remains active even at 120 frames per second, and it works exceptionally well while using 30fps and 40fps modes of the Z8 at full resolution. The eye-tracking AF and exposure remain fully active.

Another thing to consider: The lens ecosystem

Now, you have to understand the lens ecosystem. The Z mount has been opened up, and we have a range of lens options available inside the Nikon system. That doesn’t mean the L-mount is lacking—L-mount also has a huge range of lenses—but Tamron is still not a part of the L-mount system. If you are a wedding photographer looking for a budget high-quality constant aperture lens, Nikon has options like the Tamron 28-75mm G2 lens for the Z8. At this price point, no equivalent L-mount lenses are available for the S1R Mark II. You have to pay extra to get an f/2.8 constant aperture zoom lens in the L-mount system.

So, should a wedding photographer buy the Panasonic S1R Mark II or the Nikon Z8?

If you are inclined toward the Panasonic S1R Mark II camera, you can buy it—it’s a good-to-go camera. But if we compare all the features offered by both cameras, the Nikon Z8 looks a bit more suitable with its faster stacked CMOS sensor, highly responsive hybrid autofocus system, and the huge range of Z-mount lenses available, especially budget-friendly high-quality lenses like the Tamron 28-75mm f/2.8 G2. All these factors make the Nikon Z8 a more feasible and recommendable camera for wedding photographers.

Autofocus Tracking & Frame Rate Comparison

  • Panasonic S1R Mark II is limited to 10fps AF tracking.
  • Nikon Z8 has no such limiteye-tracking remains active even at 120fps.
  • Works exceptionally well at 30fps and 40fps while maintaining full eye-tracking AF and exposure.

Lens Ecosystem – Nikon Z8 vs. Panasonic S1R Mark II

Now, you have to understand the lens ecosystem:

  • Z mount is open—a wide range of lens options available inside Nikon’s system.
  • L-mount also has a huge range of lenses, but Tamron is still not part of the L-mount system.
  • Wedding photographers looking for budget high-quality f/2.8 lenses have Tamron 28-75mm G2 for the Nikon Z8.
  • No equivalent budget-friendly f/2.8 zoom lens for L-mount—you have to pay extra for a constant aperture zoom lens.

7 Best Lenses for Nikon Z8 (…and 3 to avoid)

A little more about the Nikon Z8 camera

The Nikon Z8 features a stacked CMOS sensor directly inherited from the Nikon Z9. Even the autofocus algorithm and image processor are exactly the same, making it essentially a flagship camera inside a compact Z8 body.

If you are interested in wildlife and sports photography and want rolling shutter-free images, then despite the fact that many photographers still use conventional sensors, the Nikon Z8 stands out. If you plan to shoot at higher frame rates with the Panasonic S1R Mark II at 30 or 40 frames per second, it’s a well-known fact that Panasonic struggles to continuously track subjects at high frame rates.

At the same time, the sensor image stabilization system in the Nikon Z8 works at the pixel level with the help of AI advancements. If you consider all these factors, then without a doubt, for photographers looking for a perfect hybrid camera—especially those interested in wildlife and sports photography—none other than the Nikon Z8 is recommended among these two.

Final Verdict: Panasonic S1R Mark II vs. Nikon Z8

Who Should Buy the Panasonic S1R Mark II?

✅ Best for Landscape & Fine Art Photography – The high-resolution sensor and 150+ megapixel handheld mode make it ideal for professionals focused on fine details and large-format prints.
✅ Great for Cinematographers & VideographersOpen-gate recording (5.8K, up to 8K with updates), anamorphic lens support, false color monitoring, and SSD recording support make it a solid choice for high-end video production.
❌ Not the Best for Fast-Paced Shooting – The autofocus system is still in development, requiring expertise to operate correctly, and AF tracking is limited to 10 fps, making it less suitable for sports and wildlife photography.
❌ Limited Lens Ecosystem & Expensive Lenses – While L-mount has a good selection of lenses, Tamron, Viltrox, and many new third-party lens makers are not part of the system or have very few lenses for L Mount, making affordable fast lenses harder to find.

Who Should Buy the Nikon Z8?

✅ Best for Sports & Wildlife PhotographyStacked CMOS sensor (inherited from the Z9) enables fast readout, high-speed shooting, and advanced subject tracking. AF tracking remains active up to 120 fps, making it superior for action shots.
✅ Stronger Hybrid Autofocus SystemFast, precise, and reliable autofocus, with advanced AI-driven subject detection and Z9-level AF algorithms, makes it easier to use and more responsive.
✅ Expansive & Budget-Friendly Lens Ecosystem – The Z-mount system has a wide range of native lenses, including affordable high-quality options like the Tamron 28-75mm f/2.8 G2.
✅ Great for Hybrid Shooters (Photo & Video) – While it lacks open-gate recording, the stacked sensor, superior autofocus, and high-speed burst shooting make it a more versatile camera for both photo and video work.

Final Recommendation

  • If you are a landscape, fine art, or professional cinematographer, the Panasonic S1R Mark II is a strong contender due to its high-resolution capabilities and pro-video features.
  • If you shoot sports, wildlife, weddings, or need the best hybrid performance, the Nikon Z8 is the clear winner, thanks to its superior autofocus, faster shooting speeds, and larger lens ecosystem.

For most photographers and hybrid shooters, the Nikon Z8 offers a more balanced and versatile package. However, if high-resolution stills or advanced video tools like open-gate recording are your priority, the Panasonic S1R Mark II is the better choice.

Get the Panasonic S1R Mark II Camera from Adorama.com | B&H Store | Amazon.com

Panasonic S1R II vs Nikon Z8 – Specification comparison table

Category Panasonice Lumix S1R II Nikon Z8
– Sensor Type Full-frame BSI CMOS Full-frame stacked CMOS
– Resolution 44.3 MP 45.7 MP
– ISO Range 40-102400 64-25600 (expandable to 32-102400)
– Color Depth 14-bit 14-bit
Autofocus System
– Type Phase + Contrast detection with DFD, AI-based 493-point phase-detect AF / Faster AF Refresh rate due to the stacked sensor
– AF Points Not specified, but improved over previous models 493 points (covers 90% of frame)
– Speed and Accuracy Fast, with AI tracking for subjects Fast and accurate, -7EV to EV19 sensitivity, -9EV with starlight view
– Subject Tracking AI-based for faces, eyes, animals Specific modes for birds, animals, vehicles, etc.
Video Capabilities
– Max Resolution and Frame Rates 8K at 30fps, 4K at 120fps 8K at 30fps (N-RAW), 4K at 120fps
Open Gate Recording 5.8k Opengate (8K soon to be available via Firmware) None
– Formats H.265 10-bit 4:2:0 for 8K, ProRes 422 for lower resolutions N-RAW, ProRes RAW, H.265, H.264, 10-bit color
– Stabilization In-body image stabilization  8 Stops Pixel Level Accuracy – AI IBIS with Full sensor 8 Stops IBIS rating
Shutter angle Yes No
False Color yes No
– Audio Built-in stereo mic, external mic jack Built-in stereo mic, microphone, and headphone jacks
Waveform Yes No
Recording to SSD Yes No
Anamorphic Yes, it Supports Desqueez in the camera No
Shooting Speed and Performance
– Continuous Shooting Speed Up to 40 fps, but Active tracking works up to 10 fps Up to 120 fps (with crop), 30 fps full-res | 30 Fps full tracking
– Buffer Capacity Large, can shoot extended bursts Large, can handle extended bursts
– Shutter Speed Range 1/8000 to 60s (assumed, typical for mirrorless) 1/32000 to 900s (electronic), 1/8000 to 30s (mechanical)
Display and Viewfinder
– Viewfinder OLED EVF, 3.69m dots (assumed, similar to S5 II) 3.69m-dot OLED EVF
– LCD Screen 3.2-inch, 2.1m dots, articulated (assumed, similar to original S1R) 3.2-inch tilting touchscreen, 2.36m dots
– Touchscreen Yes Yes
Connectivity and Wireless Features Wi-Fi, Bluetooth, smartphone app Wi-Fi, Bluetooth, Nikon SnapBridge app
Battery Life and Power
– Battery Type BLK-22 (same as S5 II) EN-EL15c
– Life ~370 shots (assumed, similar to S5 II) ~300-400 shots
– External Power USB-C USB-C
Physical Design and Ergonomic Features
– Size Smaller and lighter than the original S1R (over 200g lighter) Smaller than Z9, comparable to D850
– Weight ~800g 910g
– Weather Sealing Yes Yes
– Ergonomic Features Classic DSLR-style shape, various dials and buttons Nikon-style layout, various controls
Lens Mount and Compatibility
– Mount Leica L-mount Nikon Z-mount
– Available Lenses Wide range from Leica, Sigma, etc. Wide selection of Nikon Z lenses

Which One to Choose?

  • For landscape, fine art, and professional cinematographersPanasonic S1R Mark II (due to high-resolution mode & video tools).
  • For sports, wildlife, and hybrid photographyNikon Z8 (due to superior AF, stacked sensor, and high-speed tracking).
  • For wedding photographersNikon Z8 (better autofocus, lens options, and hybrid usability).

 

Panasonic S1R Mark II Announced - Press Release

Panasonic announced a new S1 R Mark II camera that features a brand new 44-megapixel sensor, the camera features the recently developed Panasonic L2 processing engine that allows users to capture handheld images up to 177 megapixels with the help of sensor-shift image stabilization technology.

Panasonic S1R Mark II Major Features

  • 44.3MP BSI CMOS sensor
  • L2 processing engine
  • 8K video recording with 14-stop dynamic range
  • Improved Open Gate: up to 8.1K/7.2K (firmware update)
  • Internal 5.8K recording in Apple ProRes RAW via CFexpress Type B
  • Real-time Phase Hybrid AF with AI tracking (faces/eyes)
  • Approx. 40 fps continuous shooting with SH pre-burst mode
  • 8.0 stops IBIS; 7.0 stops in telephoto (Dual IS 2)
  • Advanced EIS for distortion correction without cropping
  • Tiltable and swivel screen
  • Direct LUT installation via LUMIX Lab mobile app
  • New LUMIX Flow app for streamlined workflow
  • Integration with Frame.io and Capture One tethering support

Other than that, the camera is very capable of recording 8K video up to 30 frames per second with 14 stops of dynamic range. It also provides 5.8K internal recording in Apple ProRes and ProRAW format directly to a CF Express Type B card. The now features sensor stability IBIS up to 8 stops when combined with dual IS lenses.

The camera features a tiltable and variable display screen that enables creators to use this camera in their workflow, and also with the Lumix Lab app you can directly install LUTs in the camera with integration of third-party software like Frame.io. The workflow of professionals now become much easier.

Get the Panasonic S1R Mark II Camera from Adorama.com | B&H Store | Amazon.com

Specification comparison Panasonic S1R Mark II vs Panasonic S1 H vs Panasonic S1R

Specification S1R II S1H S1R
Model S1R II S1H S1R
Sensor Resolution 44 MP 24.2 MP 47.3 MP
Sensor Type Full-frame CMOS Full-frame CMOS Full-frame CMOS
Shutter Speed (Mechanical) 1/8000 to 60 sec 1/8000 to 60 sec 1/8000 to 60 sec
Shutter Speed (Electronic) 1/32000 to 60 sec 1/32000 to 60 sec 1/32000 to 60 sec
Continuous Shooting Speed (Mechanical) 10 fps 9 fps 9 fps
Continuous Shooting Speed (Electronic) 40 fps 9 fps 9 fps
Image Stabilization 8 stops 6.5 stops 6.5 stops
Video Capabilities Open gate, 8.1K/7.2K Open Gate (via update), 1.5 seconds pre-capture 6K 24p, 5.9K 30p, 4K 60p, 10-bit color, V-Log/V-Gamut 4K 60p, 6K PHOTO mode (stills)
Price (approximate) $3,500 $3,500 to $4,000 $3,700

Panasonic S1R Mark II Official Press Release

Panasonic is proud to introduce the LUMIX S1RII, the latest high-resolution full-frame mirrorless camera in the LUMIX S series.

Equipped with a newly developed 44.3MP BSI CMOS sensor and a high-performance L2 processing engine, this camera delivers impressive photos and videos with the natural colour reproduction acclaimed in LUMIX cameras.

With revolutionary video performance, it is the first LUMIX camera to record 8K video with a 14‑stop dynamic range, expanding your creative possibilities.
The popular Open Gate function has been improved to now record 6.4K—and even 8.1K/7.2K via a future firmware update.

As the first camera in the LUMIX S Series, it supports internal 5.8K recording in Apple ProRes RAW HQ/ProRes RAW format using a CFexpress Type B card, enabling high‑quality video recording with minimal setup without the need for external devices or cables, and providing greater mobility for solo shooting and small‑scale productions.

The improved Real‑time Phase Hybrid AF, now with AI tracking, quickly and accurately detects people’s eyes and faces, and tracks movements smoothly.
With continuous shooting at approximately 40 fps and AF tracking, dynamic subjects can be captured with incredible accuracy and ease. SH pre‑burst mode starts shooting even before you fully press the shutter button, ensuring you don’t miss a shot.

The LUMIX S1RII achieves 8.0 stops of in‑body image stabilization—and 7.0 stops in the telephoto range thanks to Dual IS 2 technology.
Advanced video stabilization includes EIS distortion correction without cropping, reducing peripheral distortion while maintaining the original angle of view. The newly designed, compact body with a tiltable and swivel screen adapts to any working style, making it an excellent choice for those seeking both mobility and creative freedom.

The LUMIX S1RII will be compatible with the LUMIX Lab mobile app, which allows LUTs to be installed directly in the camera, streamlining the post‑production process.
A new LUMIX Flow app will also be introduced to optimize workflow for a variety of projects—such as short films, documentaries, music videos, and corporate promotional materials—offering features from storyboarding and recording to file organization. Additionally, the camera integrates with third‑party software such as Frame.io, and for the first time in a LUMIX camera, supports tethering via Capture One, aiding creators in diverse production situations.

Guided by our philosophy of developing technology that inspires creative passion, the LUMIX S1RII is a next‑generation mirrorless camera built for creators who want to realize their unique vision.

Newly developed matrix and next-generation processor

  • It uses a newly developed full-frame BSI CMOS sensor with a resolution of approximately 44.3 MP.
  • It features a 177MP (approx.) Handheld High-Resolution mode that precisely captures image detail and depth.
  • It offers high-resolution recording that faithfully reproduces texture and fine detail, and for the first time in a LUMIX camera, supports 8K 30p *2 recording  with 14 stops *1  of dynamic range.
  • Supports internal recording at 5.8K in Apple ProRes RAW HQ / ProRes RAW to CFexpress Type B card.

Improved core performance

  • Redefined Real-time Phase Detection Hybrid AF with improved eye and face detection and precise AI-based tracking.
  • Improved 8.0-stop *3  in-body image stabilization (BIS) and newly developed EIS video distortion correction without cropping, which stabilizes the image while maintaining the original angle of view.
  • High resolution and high-speed continuous shooting, offering high-speed shooting
  • approx. 40 fps *4  with the electronic shutter mode “SH”, and approx. 10 fps *4  with the extended mechanical shutter mode “H+ (High Speed ​​Plus)”, allowing you to shoot without having the preview image black out after taking a picture.

Advanced applications that support the production process

Compatibility with Capture One makes it the first LUMIX camera to work seamlessly
with the professional photo editing software commonly used in studio photography.

  • Frame.io compatibility enables a seamless transition from recording to editing, as well as cloud file sharing and team collaboration.
  • LUMIX Lab app support makes it easy to transfer, edit and personalise the colour of photos and videos, enabling seamless smartphone integration and sharing on social media.
  • Support for the new LUMIX Flow app, which helps you create storyboards, control footage while shooting on set, and automatically organize data after shooting, streamlining the video production process.
  • LUMIX Mode: Helps you create a storyboard, control footage while shooting on set, and automatically organize data after shooting, streamlining the video production process.
  • Smartphone Mode: Enables video creation, such as scriptwriting and editing short fiction, documentaries, or dance films, using only your smartphone.
  • External Monitor: Allows you to use your smartphone as an external monitor while recording, allowing you to quickly change and adjust camera settings right on your mobile device.

New DMW-BG2 battery holder

Panasonic introduces the new DMW-BG2 battery grip, designed to make holding the S1RII more comfortable when shooting vertically. The battery in the grip can be swapped while the camera is on. The grip also provides additional support by powering the camera when shooting in more demanding modes.

Additional information:

*1 When Dynamic Range Expansion (Log) is enabled.
*2 8.1K/7.2K Open Gate recording will be available via a software update scheduled for 2025.
*3 8.1K / 7.2K RAW HDMI output will be available via a software update scheduled for 2025.
*4 The continuous shooting speed may become slower depending on various conditions such as the lens in use, aperture, and shutter speed.
*5 Center: 8.0-deg; Peripheral: 7.0-deg. Based on CIPA 2024 standard [Yaw/Pitch/Roll direction: Focus distance f=60 mm when S-R2060 lens is used. 5-axis.]
*6 Center: 7.0-deg; Peripheral: 7.0-deg. Based on CIPA 2024 standard [Yaw/pitch/roll direction: focusing distance f=105 mm when S-R24105 lens is used. 5-axis.]

Sigma BF Camera: Revolutionary Tech or a Total Letdown? Find Out Now!

So we have now the Sigma BF camera, but after analyzing the overall core specifications and watching many online reviews, specifically those who have visited Japan by the invite of Sigma, and a lot of reviews have surfaced by the hands of many people out there, so the sum of all those things is mentioned below.

Innovative thing – the breakthrough technology that came along with the Sigma BF camera

The unibody design – the unibody design is a unique design specifically crafted by the engineers of Sigma, a single sheet of aluminum and an unbreakable structure, and with that structure, I am very confident that heat dissipation will not be a big problem for Sigma BF if the sensor, which is not using IBIS mechanism, has its heat sink attached to the body of the camera, then overheating will never be an issue in this camera.

The biggest advantage of this camera is its internal memory – 2330GB of SSD drive inside the camera, so you don’t have to worry about putting extra memory cards in the body. You just have to take out all your data through the USB port of the camera.

So, these two are the biggest advantages that came along with the Sigma BF camera – the new and unique design and the internal memory that we are getting inside the camera.

Now, the question is – for whom is this camera made?

So let us consider this camera is made for photographers only.

If you are a photographer, then you have to accept this camera with a very fresh mind since, of course, it doesn’t have extensive manual control over It, which is kind of a thing loved by a professional photographer. Made for beginners with minimum control and a completely new user interface.

Another thing that you will miss in the body design is the variable display screen that nowadays photographers love to have for compositional freedom. +1 more thing that you may miss as a photographer is the presence of an electronic viewfinder and, of course, no hot shoe is there.

Now, let’s dive into the internal core specifications of the camera. We have the same sensor that we have seen in the Panasonic S5II / S5IIX camera, but in S5II and S5IIX, with the presence of a 24-megapixel hybrid CMOS sensor, we also get sensor-shift image stabilization mechanism, which is absent inside the Sigma BF camera. We do not have any IBIS inside the body. Another thing that you will miss as a photographer is the presence of only and only electronic shutter – no mechanical shutter is available right now. One more thing that surprised me while reading the specifications of the camera is the maximum continuous shooting of the camera remains limited to 8 frames per second.

So, it does carry a lot of features, but again, it does have a lot of limitations too, so if you are a photographer, you have to consciously pick this camera with all the limitations it already has inside it.

Obviously, this camera is not made for content creators

because it doesn’t carry any vari-angle display screen on the rear side, no content creator can create a video without framing themselves properly. The other two things that are also missing in this camera are the presence of headphone and microphone ports, which are generally present in all the cameras that we get in this price range and which are very essential.

Now finally, the latest analysis is that this camera is made for professional cinematographers since we are able to record 10-bit internal video in 4K 30fps mode. You also can record videos up to 6K resolution, so it is very advanced in terms of video recording capability, but again, we miss the basic ports that should be present in the body of the camera, like having at least a microphone input port. Major ports that a cinematographer may require are missing, and how can a professional cinematographer record high-quality audio when there is no option to do that?

Overall, this particular Sigma BF camera does come with breakthrough technology, a very innovative design, and interesting specifications

but some of the limitations make this camera limited to very specific photographers and video users. So, the camera is good, but due to its set of limitations, the camera is not able to impress a huge mass of photographers or content creators out there. It does need some improvement – maybe in the BF Mark II, we will have some basic upgrades and some more ports that will help us to utilize this camera properly.

Sigma BF Camera Announced - Press Release

Sigma today announced the BF camera. The BF camera features a unique aluminum body design, of course, without any grip, but it’s a very rare design. And, of course, rig makers like SmallRig are always ready with some innovative solutions. But apart from this very unique body design, Sigma approached the basics very differently. They have added a 230GB internal memory in this particular camera, so you can record your videos uninterruptedly and continuously for 2 hours, even in 6K with the highest possible settings.

On the specifications side, the camera features a full-frame CMOS sensor with a 24-megapixel resolution. Users can record 6K videos up to 30 frames per second in L-Log.

The camera features a hybrid autofocus sensor for fast autofocusing and an AF sensitivity range from -5 EV to 18 EV @ f/1.4. It has a base ISO of 100.

Maximum ISO sensitivity is expandable. ISO sensitivity goes from 100 to 102400. We have dual base ISO, meaning that in movie mode, you have the base ISO of 320. When you switch to Log, you get the base ISO of 1250, which is highly usable for professional cinematographers. Other than that, we also have an expandable base ISO that starts from 6, 12, 25, and 50 to extract the maximum dynamic range possible from the scene.

The camera has an electronic shutter, not a mechanical shutter. Selectable frame rates are available. The continuous shooting speed of the camera is a maximum of 8 frames per second. In a single burst, you can store up to 2000 JPEG frames and up to 350 RAW DNG frames inside your camera.

The body design is minimal, and the camera uses a lithium-ion battery pack of BP-81, which can capture 260 images on a single charge and support 60 minutes of continuous recording in 6K.

PRESS RELEASE

Announcing the “Radically Simple” Sigma BF camera

Ronkonkoma, New York – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the Sigma BF, a 24-megapixel full-frame L-Mount camera. The Sigma BF presents an uncompromising new vision for the digital camera. Stripped to the essence but packed with power, innovative yet rooted in the origins of photography, it is designed to accompany you throughout your day and to capture the spontaneous beauty of everyday life. The BF balances performance with simplicity and returns the focus to what matters most: your photographs. The Sigma BF will retail for $1,999 and be available in April 2025.

A radically simple camera that evokes the essence of photography
A full-frame mirrorless camera offering an unprecedented intuitive shooting experience

Staying close to the photographer, the Sigma BF captures the beauty that lies hidden in everyday life, and becomes the catalyst to be aware of that beauty.
The BF focuses on the joy of photography that only a camera as a tool can provide. By simplifying and stripping away all excess elements, this full-frame mirrorless camera redefines the process of taking a photograph as a natural act.
The unique user interface, which provides a new sense of connection between the photographer and the camera in a true seamless unibody, is more intuitive than ever with its pressure-sensitive haptic buttons and dial. The high-definition expression of the approximately 24-megapixel full-frame sensor and the reliable dual autofocus system bring your vision to life.

Key features

Simple, clear, and completely new user interface

The user interface has a completely new information structure compared to conventional digital cameras, with the main shooting-related settings stored on the live view screen, secondary settings in the optional menu, and management functions and detailed settings in the system menu. Users can easily operate the shutter speed, aperture, ISO sensitivity, EV compensation and color mode, along with other important shooting-related elements at the touch of a finger. Combined with the auto setting, the functions of the general shooting mode dial are also covered.

Clear live view and status monitor

The default live view screen displays only the minimum necessary information and can be changed to display no information at all. Since the currently active setting is displayed on the status monitor, the users can concentrate solely on composition and the subject on the live view screen.

Minimal controls and haptics

All controls are integrated into just three buttons, one dial, the shutter release, and the power button. The BF is the first mirrorless camera* to incorporate haptics into its Dial, Center button, Option button, and Playback button, resulting in minimal physical wear. The buttons are always accurate and comfortable to press.
 * As of February 2025, by Sigma.

Unibody structure

The BF is the first camera in history* to feature a true unibody, which boasts unprecedented rigidity. Each camera is carved from a single, solid block of aluminum over the course of seven hours. The reliable, comfortable weight of its seamless all-metal body harmonizes perfectly with any attached lens.
* As of February 2025, by Sigma.

Internal storage

The BF features 230 GB of internal memory, capable of storing more than 14,000 JPEG files, 4,300 uncompressed RAW images or 2.5 hours of video at the highest-quality setting, with the USB-C port offering fast charging and data-transfer speeds.

Various color modes

Thirteen different color modes are available to open up new avenues of creativity. The modes range from unique options like Teal and Orange, Powder Blue, and Warm Gold to creative yet versatile options such as Rich, and Calm.

Evolved autofocus

A hybrid autofocus system combining image phase detection and contrast detection utilizes state-of-the-art algorithms to capture subjects accurately and reliably. In addition to people, dogs and cats can be detected in the subject detection mode.

Video shooting (6K, L-Log)

The BF supports high-resolution 6K and L-Log recording, enabling video production that takes advantage of the wide dynamic range of a full-frame sensor.

Equipped with L-Mount

The L-Mount lens mount allows the camera to be used with a wide variety of interchangeable lenses for mirrorless cameras from Sigma as well as other L-Mount Alliance partners.

Canon V1 vs Sony ZV-E10

If ur more into vlogging and the assumption that prices are equal in your location (yes they are mostly), the Canon PowerShot V1 is more recommended for its advanced video features (4K 60p, C-Log 3, cooling fan), portability, and ease of use, which align well with typical day to day vlogging needs. However, if you give priority to superior image, Video quality, and lens flexibility (that’s more important for professionals) for potential expansion into photography, the Sony ZV-E10 is a better choice, especially with its larger APS-C BSI CMOS sensor. Consider your shooting environment (e.g., low light for Sony) and future content plans (e.g., lens variety for Sony) to finalize your decision.

Conclusion / Verdict

Both cameras are made for content creators, but they approach different requirements fields. The Sony ZV-E10 camera gives you low-light flexibility and the opportunity to use a range of available lenses for E-mount. When that happens, you can create as much depth as you want to create cinematic footage by adding lenses like Sigma 30mm f/1.4 or Sigma 56mm f/1.4 in your ZV-E10 camera.

Now, Canon made the Canon V1 camera highly compact and highly portable with advanced video features like 4K 60 FPS recording with Log support. C-Log 3 is also available for color grading, and the camera records 10-bit video, so overall, it gives you flexibility and portability. The only thing that limits you in V1 is the low-light performance since it has a slightly smaller sensor than what you are getting in the Sony ZV-E10.

Another factor that differentiates between the two is the presence of an FSI sensor in Canon, whereas in Sony, we have the BSI CMOS sensor. So technically, in Sony, we will have a kind of better video quality, but again, we highly recommend the Canon V1 camera for lifestyle and travel bloggers.

Must Watch – Best Lense for Sony ZV-E10 Camera


A Canon V1 Camera is recommended for

Take a look at the specific work areas we are recommending the Canon V1 over the Sony ZV-E10 camera,

1. Lifestyle and Travel Bloggers

Now, this Canon V1 camera is perfect for travel bloggers or content creators who generally create lifestyle vlogs, hold their cameras in their hands, and are ready to go anywhere.

One of the biggest advantages that we should talk about with the Canon V1 is its portability, and the built-in fan is one of the major advantages of a compact camera.

Even if you are creating your vlogs in extremely hot and humid conditions, the built-in fan of the camera will keep the camera cool. At the same time, the camera enables Canon C-Log recording at 4K 30 FPS. You get a maximum of 5.7K oversampled video footage, so if you have a dedicated editor who can extract the maximum quality from this camera if you have the time and skill, then this camera is one of the best tools for travel bloggers or daily life content creators.

2. Canon V1 for Longer Video Recording

Another good use of the Canon V1 camera is creating long podcast videos as the camera will not overheat due to the internal fan present inside it. It supports using 4K 60fps for a prolonged time, although you are not able to use max aperture-based lenses—that’s the limitation we have. But when the priority is more important than the depth, it means the artist wants to record as long as possible from the camera, then we have no option.

Comparative Table: Key Specifications

Feature Sony ZV-E10 Canon PowerShot V1
Sensor Size APS-C, 24.2MP, 23.5×15.6mm 1.4-inch, ~22.3MP, 18.63×12.42mm
Type of Sensors BSI FSI
Video Capabilities 4K 30p (crop), Full HD 120p 4K 30p full, 4K 60p (crop)
Log 8 Bit, HLG, Slog2 and Slog3 10 Bit, CLog3
Lens Interchangeable E-mount Fixed 16-50mm equiv., F2.8-4.5
Autofocus Fast Hybrid AF Dual Pixel AF II
LCD 3-inch vari-angle touchscreen 3-inch vari-angle touchscreen
Audio Directional mic, 3.5mm jacks Stereo mics, 3.5mm jacks likely
Portability Larger, with lens Compact, highly portable
Battery Life ~440 shots, NP-FW50 Extended with cooling fan, TBD
Stabilization IBIS or lens-based, varies 5EV in-body image stabilization
Recording Time Limited by heat Extended with cooling fan
Connectivity Wi-Fi, likely Bluetooth Wi-Fi, likely Bluetooth
Ease of Use More controls, slight learning curve Simple, fixed lens, beginner-friendly
Price (Typical) $598 body, $698 with lens Expected $899
Future Expandability High, with lens options Limited, fixed lens

Reasons to buy the Sony ZV-E10 Camera

Take a look at the reason for selecting the Sony ZV-E10 camera over the Canon V1.

1. Freedom to select your LENS

The biggest reason for the selection of the ZV-E10 camera is lens flexibility. This is one of the major advantages associated with the ZV-E10. If you are creating talking head videos, then you can use a Sigma 30mm f/1.4 lens to have the best possible cinematic output for your content. And if you are creating handheld vlogs, then you can use lenses like Sony 11mm f/1.8 or the Viltrox 13mm f/1.4 to generate the best possible content even in low-light conditions with maximum possible cinematic depth.

That is the biggest freedom we have with the Sony ZV-E10 camera, but that comes with a price. You have to pay more and more for lenses depending upon your requirements for a camera.

Sony ZV-E10 using VILTROX Lens


2. Gyro Image Stabilization

That’s an added advantage, and if you love to have completely stabilized videos in your camera, then the ZV-E10 is still a great option for you. But it’s not that easy. First, you have to capture the footage, then you have to apply it in Sony’s Catalyst Browse software.


Sony ZV-E10 Recommended for:

  • Vlogging with high-quality stills: Its APS-C sensor + Interchangeable Lenses
  • In-room / office Solo content creation Like product showcase mode make it suitable for solo creators.
  • Low-light photography and video:
  • Travel photography with interchangeable lenses: Lens flexibility allows for diverse shooting scenarios during travel.
  • Customization and control for advanced users: More settings and More lens options

Canon PowerShot V1 Recommended for:

  • Portability and simplicity: Ideal for users who prefer compact cameras with highest possible quality
  • Advanced daily / Travel vlogging with 4K 60p and color grading:
  • Documentary and travel videography
  • Extended recording: Built-in FAN for a long podcast / outdoor shoot
  • Street and candid photography: Best for street shoot with 4 STOPS of OIS
  • On-the-go content creation: Highly portable, making it easy to carry for spontaneous shooting.
  • User-friendly interface with fixed lens: Simple operation suits users who prefer not to deal with lens changes.

Price Consideration

Typically, the Sony ZV-E10 body only is priced at around $598, with a kit including a 16-50mm lens at about $698, while the Canon PowerShot V1 is expected at $899.

Sony ZV-E10 Amazon.comB&H Store

Hasselblad X3D Coming Soon

The new medium format camera X3D is about to arrive from Hasselblad, now how we came to know about it? It’s directly coming from Chinese sources. Initially, Hasselblad completed its FCC registration with the model code HB 722, registered on December 2024, and the confidentiality period is 180 days, which is around 6 months. As per the rumors, expect a new X3D medium format camera to arrive.

The real excitement is about what’s coming inside the new X3D camera. It will be using a 150-megapixel Sony medium format sensor or 250 MP. As usual, before the announcement, we generally get a lot of leaks related to the upcoming camera, including its specifications and images, and we will be posting it as soon as we get any.

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